Benito Alazraki

Son of a diplomat, in 1939 it embarked on the road of exile to France and then to Mexico with his family. He studied at the Faculty of philosophy and letters of the Universidad Nacional Autonoma of Mexico (UNAM), he became Professor of literature and wrote the thesis titled Baudelaire, existential poet (1951). He was Professor in the Faculty of philosophy and letters at UNAM, Mexico City College and at the French Institute of Latin America (IFAL). He collaborated in the Spains, the magazine’s most prestigious of exile, in the Bulletin of the Union of intellectuals Spanish/Mexico and cultural magazines La Gazette of the Fondo de Cultura Economica, Mexico in culture, Prometheus, magazine of the University of Mexico, among many other publications. He was part of the Group founder of the magazine Nuevo Cine and Cine Club Universitario, and director of the film Club of the cder. He directed the film magazines film truth, Califasvision and camera.

He wrote the foreword to the screenplay’s main street, by Juan Antonio Bardem. He collaborated in the filming of roots (1953, prize of the Cannes critics), of Benito Alazraki, Torero (1956), de Carlos Velo, halma (1958), Luis Bunuel and Sonatas (1959), of Bardem, relevant titles in the history of Spanish-speaking cinema. In Cuba he filmed two of the five planned episodes of the film history of the revolution (a day of work and the bride and groom). The two episodes filmed, together with new year, performed by Jorge Fraga, compose film Cuba 58 (1962), one of the most significant of the new Cuban cinema. Returning to Mexico with his wife Maria Luisa Elio Bernal – a native of Pamplona and the author of the original idea of autobiographical root – and with the collaboration of Emilio Garcia Riera (exiled ibicense), he wrote the screenplay for in the balcony vacuum, his most important work.

The Practical

in addition, resisted such trend of standardization/uniformizao. Hobsbawn says of a itensificao and ‘ social and institucional norteamento of the classroom operria’ ‘ , before invisible, expressing also in the directed cultural industry to the popular one; the proliferation of the press specialized in popular music, for example. Simultaneously, a presumption increment of the standard of living of the workers to the time, decurrent of the low cost of living, the social of the state in respect to the housing, beyond the intensification of the internal consumption, characteristic programs that changes in the production system corroborate the structural alterations in course (; in the consumption habits; in the ways of it offers of the merchandises; in the strategies of association and cooperation between the workers). Something demarcated well is the occupation of the urban territory, each indicating time of the classroom that in it inhabits; a decurrent urban segregation of the suburbanizao and removal of the laboring housings in relation to the work ranks – one strong existencial change of perception of the environment. In this point to follow, Hobsbawn paints a more optimistical picture of the practical ones related with the laborers (in comparison with Thompson); it demonstrates that the leisure (sport, festividades) starts to have a very strong relevance in the social cohesion and does not place the question in terms recriminated or repressores, for an institucional discursivo resource that oppressed or it denied such possibility to them.

The Situation

Construction of sets habitacionais in areas peripheral, compelling occupation, power public in planning of point of view of growth of city, intervening directly with direction to prepare city for growth population, action, services and workmanships future to try to anticipate it problems, making with that the urban planning, the economic development and the growth of the city they are planned with antecedence so that the people who arrive have certain ways covering. A acurada comment more of the demands that had contributed for the modernization was to the agriculture, that liberates man power, the land concentration, the lack of ranks of work beyond the politics habitacional. Thus the people migram for the city, specifically for the Aracaju capital, giving origin the construction of projects architectural as joint habitacionais, buildings and improvement in the aracajuana landscape without attacking its physical and ambient aspects. She in agreement analyzes of the data of the field research this being carried through the reality of the capital, verifying the occured changes in the period in screen. Demonstrating the results harvested in elapsing of the visits in field of the applied questionnaires they are mensurados to the project. FINAL CONSIDERAES To understand the strategy main of the research constitute in informing the evolution of the population growth evidencing the rhythm fast politician and socioeconmico they for etria band, tax of natality, income are/job, education, housing and agricultural immigration of the cities of the State and other neighboring States. Based in the survey in I lease and in the interviews through questionnaire with the population of each quarter they are visualizing some factors that are calling attention in the urban context of the city. Beyond in the servile one as marcante example of the situation where if it finds Aracaju, as projects architectural of buildings and houses in habitacionais sets, as well as the abandonment of the architecture of the city.